Free and open to the public
Concert tickets are required for entry
Join us for a panel discussion from 12-1:30 pm on the history, culture, and identity of hip-hop in Appalachia and a hip-hop concert at 7:30 pm celebrating the unique perspectives of small-town, rural hip-hop artists. Featuring performances by Deep Jackson, Shelem, GRDN, and Monstalung.
Thursday, February 6th
12 noon — Panel Discussion, 325 Brooks Hall, Zoom
7:30 pm — Concert in the Gladys Davis Theater, Creative Arts Center
Concert tickets are required for entry
Thursday, February 6 from 12-1:30 pm
325 Brooks Hall, WVU Downtown Campus
Moderated by Javier McCoy, Interim Director for the Center for Black Culture
Producer of NO OPTIONS, East Tennessee State University, Professor, Appalachian Studies
“Capital City Pop Princess” born and raised in Charleston, WV
Frostburg State University, Assistant Professor, Sociology
West Virginia University, Assistant Professor, History
West Virginia University, Teaching Assistant Professor, Musicologyy
Thursday, February 6 at 7:30 pm
Gladys Davis Theatre, Creative Arts Center
Doors/Merch table open: 7:00 pm / Reception follows after
Hosted by: Jomo "JK" Turner, Executive Producer of No Options
Free and open to the public,
Tickets required for entry — get your tickets now!
Hip-hop is alive and vital in Appalachia. The release of the album No Options is the first to showcase what Dr. William Turner calls “mountaintop hip-hop.”
Fearless in what they say and peerless in how they say it, the artists on this album are respected within tightknit rural and urban communities across Appalachia but are for the most part unknown beyond their hometowns, hollows, and online groups.
Hip-hop in Appalachia is a testament to the enduring power of music to forge connections and give voice to the marginalized.
—Jomo “JK” Turner, Executive Producer
Given its release during the worldwide observation of the 50th anniversary of hip-hop, No Options could not be more timely. While recent celebrations of the genre have acknowledged the presence of hip-hop in many other communities across the U.S. and beyond, Appalachia has been almost entirely ignored as a source of hip-hop artists and recordings.
We hope that this year’s Eberly Roundtable will help spread the word about and prompt reflection on the present intersection between race, place and cultural identity.
The Eberly Roundtable, hosted annually by the Eberly College of Arts and Sciences, provides an interdisciplinary forum open to the campus and community. Each year, the event brings together scholars, artists and community members to engage on a topic of central importance to WVU’s land-grant mission and regional identity.